Su 03 November
18:00
2024
Sa 02 November
20:00
2024
Fr 01 November
20:00
2024
more terms more terms
less terms less terms
Fr 17 May
20:00
2024
Th 16 May
20:00
2024
LOUTEX
Mo 11 March
20:00
2024
We 21 February
18:00
2024
Tu 20 February
20:00
2024
Mo 19 February
20:00
2024
small scene
Sa 20 January
18:00
2024
small scene
Fr 19 January
20:00
2024
small scene
Th 18 January
20:00
2024
small scene
Tu 16 January
20:00
2024
small scene
Fr 10 November
18:00
2023
small scene
Th 09 November
20:00
2023
small scene
We 08 November
20:00
2023
small scene
Su 05 November
20:00
2023
premiere
small scene
Sa 04 November
20:00
2023
no language barrier|70 [min]
gallery

In the project Third Hand, Handa Gote return to puppet theatre and follow the trail of their own production Sapphire Head, which was a reconstruction of a forgotten puppet project from the 1990s. Now Handa Gote continue their reconstruction efforts, this time with a genre that may not have been a genre at all and probably never existed in the first place.

It is an exploration of the specific visuality of experimental puppetry of the 1990s and an attempt to revive this forgotten micro-genre of surrealist puppet theatre. It is inspired mainly by Petr Nikl's experiments with Mehedaha Theatre, the puppetry of František Skála, the BKS group, Čestmír Suška, Petr Šoch or Milan Grygar. One of the inspirations is also the enduring czech puppet legend - the production of Piškanderdulá and through it also the tradition of variété puppet performances, the tradition of "alternative" puppet aesthetics represented for example by puppets of Paul Klee and the work of many Art Brut artists.

This is another of the group's works concerning puppet theatre for adults and the search for its roots and inspirations in the avant-garde and visionaries, but also from amateurs and artists of other genres who were only experimenting with puppets. The Third Hand creates a kind of puppet microcosm that can be entered from different sides and which offers no story, but instead small fragments of stories, situations and images, open to the viewer's interpretation. Here, Handa Gote work with a multitude of energetically charged objects, often found under strange circumstances or from ancestral possessions, and compose these power objects into many absurd situations and unexpected compositions. The aesthetics of Vietnamese marketplaces, Chinese shophouses, the visuality of Mexican altars and Day of the Dead festivities, or the Japanese mobile theatre kamishibai and stage technology dogugaeshi, have all been artistic inspirations. The sound component is influenced by the activity of Handa Gote members in the experimental music scene - it is inspired by experimental turntablism and working with sound objects, and Handa Gote are here in a way continuing their first project Noise from 2005. The band collaborated with an artist working under the kosmo_nauty label. The musical component consists of two gramophones and a random selection of old gramophone records.

Devised: Švábová, kosmo_nauty, Dörner, Procházka
Production: Jedefrau.org
Photo: Martin Špelda

Premiere: 4. 11. 2023, Alfred ve dvoře, Praha

Alfred ve dvoře Theatre is supported by City of Prague, Ministry of Culture, State Fund of Culture of the Czech Republic, Prague 7 The District of Art and Culture.

Photo: Martin Špelda
Photo: Martin Špelda
Photo: Martin Špelda
Photo: Martin Špelda
Photo: Martin Špelda